Yesterday, I finished up and polished the short-short story I’ve been tweaking on and off for a few years now. It’s amazing. I’d compare this feeling to what I had when I finally finished a rough novel draft. I can now breathe a sigh of relief and move on to the next step, as well as work on edits to my novel.
There are a few things I learned about the editing process along the way:
*Don’t expect perfection. Writing, like any other form of art, is subjective. You can work on the same piece for decades, rewrite, scrub it clean of fluff, add description, and set the entire scenery on fire. No matter what you do to it, there will always be a reader or critiquer to find a flaw in your work. Now, this isn’t a bad thing. Maybe they didn’t like how you worded a particular scene, but you disagree and feel it’s necessary. Maybe they don’t relate to the characters as well. Maybe they just hate your genre. But for every person who finds fault with your writing, there will be others who love it. At some point you need to take a step and decide whether the flaw you’re trying to fix is really a flaw or just an indication that the reader just isn’t a good fit for your writing.
*Don’t expect to get it right the first time. Take another look at my first sentence. Not taking into account the time it spent on the backburner, I’d estimate I spent a month or two working on this piece. The story is less than 1000 words. My novel is not even close to second draft status, and my first novel is also far from polished. Editing will take time.
*Don’t overwhelm yourself. Looking through my rough draft I noticed many spelling and grammar errors. There were even more plot inconsistencies, POV changes and other miscellaneous things that were just plain wrong. It’s the worst part of the writing process, because you wonder to yourself what the hell you were smoking while you were writing it. But that’s the nature of the draft.
It doesn’t mean you should aim to fix everything in one go. I’ve tried to do that. I tried reading through quickly, jotting down notes in a “to fix” list that took up pages, before I became disgusted with myself and put the book down. Don’t do that to yourself.
I read a tip somewhere, and unfortunately the source escapes me, but it compared editing to looking at your story through a camera lens. The first time around, look at your story from a “zoomed-out” view and focus on the thornier issues of grammar, excess fluff, and things that make it generally unreadable from a technical aspect. That’s your second draft. Next, take a look at those POV changes and figure out who should be saying what in what scene. Finally, tackle the plot holes and inconsistencies. My order may be off, but take care of one issue at a time and you’ll find your plate much lighter. The process takes longer this way, but see the previous point.
I hope this is of use to you. I’m going to take this advice to heart and use it to finish up Poplar when the Jasper series isn’t calling my name.